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PEN AND INK

  • VIOLENCE Pen and ink on paper 992 x 750 mm 1977 Collection, National Museum of Fine Arts. Havana. Cuba
  • FRONTAL TROT Pen and ink on paper 750 x 992 mm 1979 Collection, National Museum of Fine Arts. Havana. Cuba
  • PAINT WITH NUDE Pen and ink on paper 735 x 1025 mm 1979 Collection, National Museum of Fine Arts. Havana. Cuba
  • PAINT WITH THREE EYES Pen and ink on paper 733 x 515 mm 1979 Author's Collection
  • HASTY ESCAPE Pen and ink on paper 732 x 1707 mm 1979 Collection, National Museum of Fine Arts. Havana. Cuba
  • ARE YOU SURE? Pen and ink on paper 500 x 350 mm 2010 Signed in Beijing
  • DO YOU REALLY...? Pen and ink on paper 660 x 500 mm 2010 Signed in Beijing
  • WHAT ARE YOU LOOKING AT Pen and ink on paper 500 x 350 mm 2010 Signed in Beijing
  • I'M WATCHING YOU Pen and ink on paper 500 x 350 mm 2010 Signed in Beijing
  • I'M ALSO WATCHING YOU Pen and ink on paper 500 x 350 mm 2010 Signed in Beijing
  • PAY ATTENTION Pen and ink on paper 500 x 350 mm 2010 Signed in Beijing
  • SO, NOW IS MY FAULT Pen and ink on paper 500 x 350 mm 2010 Signed in Beijing.jpg

  • from a friend

    Álvaro Medina

    Colombian art critic


    [...] Besides you also achieve this effect with an admirable rigor because you structure the elements by means of a visible plot which doesn't leave space to error and much less to corrections. [...]

  • frontal trot

    Jorge R. Bermudez

    Writer, Art Critic. Art and Comunication Teacher

    at the Comunication Faculty in the University of Havana, Cuba.


    […] The form is, once seen the drawing, another surprise. Anything anecdotic neither descriptive, to its essential expressive force add the artist's carefully worked occupation, so much to represent the animal, isolated or in group, as well as to unmark it from common places, without the presence of the always uncertain label of the beautifulness. [...]

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